Your last chance to receive the curriculum from the academy

A final offering from The Unexpected Shape Writing Academy 

The complete Unexpected Shape Writing Academy curriculum—all twelve guest lectures included—for a single, final price.



THE ACADEMY  IS
CLOSING.
This page will come down
when it's gone.

CLAIM MY SPOT BEFORE IT CLOSES. SALE ENDS JUNE 15
Secure checkout · Instant access · No recurring fees



HEY HEY HEY...

Before We Begin

It is there. Even on the days when you can't get to it. Even when your body has other plans, or your schedule is held together with tape and willpower, or you sit down at the page and everything you meant to say has scattered somewhere you cannot find it.

The writing doesn't disappear. But without the right infrastructure, it starts to feel like it might.

I know this because I have been that writer. I know it because the women and men who came to The Unexpected Shape Writing Academy knew it too—acutely, in the way you know something that has lived in your body for a long time without a name.

You write in fragments. You write between appointments and flares and caregiving and jobs that take more than they give. You write when you can, which is not always when the books say you should. And somewhere along the way, you started wondering whether a method could exist that was actually built for this—not the writing life as aspiration, but the writing life as it actually is.

That is why The Unexpected Shape Writing Academy existed. And it is why, before it closes, I want to put everything we built into your hands.


There is something I need you to know about the writing you are already carrying.

What Happens Without This

The cost of a writing practice without the right infrastructure is not just unfinished drafts.

It is the slow erosion of believing you are a writer at all.

When you push through a method that was designed for someone else—someone with unbroken hours, with a body that does not interrupt, with a life that holds still—you don't just fail to finish. You begin to attribute that failure to yourself. To your discipline. To some essential quality you must be lacking.

You keep starting over. You lose the thread between sessions and spend each new sitting trying to find it again. The work feels fragile. Every interruption—an illness, a crisis, a month that takes everything—feels like it might be the interruption that ends it for good.

And the loss is not only yours. The writing you are carrying has not been written anywhere else. It requires you. Which means the world needs this particular infrastructure to exist for you in particular.


THIS IS NOT HYPERBOLE. I MEAN IT PRECISELY.

What You Already Know

You already know how to write. What you need is a method built for your actual life.

The methods taught at The Unexpected Shape Writing Academy were not designed around ideal conditions. They were designed around the conditions most writers actually face: energy that fluctuates, time that arrives in pieces, continuity that must be deliberately constructed rather than assumed.

The Cell Method breaks work into units small enough to survive interruption. Building A Writing Practice While Living with Limitations allows you to re-enter a project without losing the emotional and intellectual state you'd built. The Indexing method—our most requested class, ever—turns the accumulated fragments of research and thought into a structure that writes itself.

These are not motivational frameworks. They do not ask you to want it more. They are infrastructure. And infrastructure, unlike motivation, does not require that you be at your best in order to work.

You have already demonstrated that you want to write. What you need is a method that works even when you are not at full capacity. That is what this is.


You already know how to write. What you need is a method built for your actual life.

A Note Worth Sitting With

Niklas Luhmann, the sociologist who used a card-based index system to write over seventy books and nearly four hundred articles, understood something most productivity culture never acknowledges: the method must outlast the session. The work must be able to continue even when the writer cannot.

The zettelkasten principle—infrastructure that persists beyond any single sitting.

The methods inside the Academy are built on this same principle. Your writing practice should not collapse when life intervenes. It should be waiting for you, exactly where you left it, when you return,

A Note Worth Sitting With

Breaking writing into units that survive interruption. For writers whose work must exist in fragments.

The Complete Unexpected Shape Writing Academy

This is the full curriculum—every method, every module, every resource we built over the life of the Academy—available for one final sale before the doors close permanently.

Cognitive limitations, variable energy, and the techniques that work when your mind is not cooperating.

Your Best Nonfiction Topic 

Twelve conversations with writers who navigate limitation, publication, and creative life with real constraints.

This class will give you a solid system for sorting through your ideas and evaluating them, so you can be certain which one you’re ready to write. 

One-Day Writing Kickstart

This class will help you understand your writer’s block so you can move past it, set goals and create a writing routine to help you do just that.

Is This Okay to Write About?: Ethics & Personal Nonfiction

We'll look at the ethical questions to consider and ask yourself before and during personal nonfiction and memoir-writiing. Rather than making recommendations, we provide exercises designed to help you figure out your own answers, including 10 questions to ask yourself before writing personal nonfiction and/or memoir. 

Journal-Keeping for Memoirists

We walk through the process of journal-keeping for both your current book idea and the ideas to come. You'll excavate memories in your journal, using concrete exercises and prompts. To get to the details you need for the project you have in mind—no more wandering in the foggy lands of I don't remember how exactly that went—as well as recording the events of your life for future personal nonfiction and memoir projects. You'll inspire topics for writing that you didn't know your life contained. 

Indexing as Creative Discovery

We’ll dig into organizing our nonfiction writing using index cards, and look at why this system works particularly well for creative nonfiction. With practical exercises for generating and structuring your cards, we’ll utilize index cards to visualize writing project structure, identify gaps in research, revise previous work, and keep our facts straight.

Structure & Perspective: How Do We Tell the Story?

We explore five structural approaches to personal nonfiction writing: the braided essay weaves multiple narrative threads into a cohesive whole; the fragmented essay is composed of smaller pieces that create a compelling mosaic; the graphic essay incorporates visual elements alongside text; the mimicry or "hermit crab" essay adopts existing forms like instruction manuals or social media feeds; and the lyric essay employs poetic devices within nonfiction.

Writing Personal Nonfiction About What Hurts

We examine writing about difficult subjects, including identifying and approaching painful topics, preparing emotionally for writing about trauma, techniques for writing sensitively and effectively, navigating ethical concerns when writing about personal experiences, and protecting yourself during and after the writing process. Boundary setting and self-care are essential aspects of writing about trauma and pain—take care of yourself first so that your writing might help others.

Accessing & Writing Emotions

We’ll explore accessing emotions before writing, employing self-care during the writing process, and translating emotions onto the page through style, language, and content. We’ll be using practical techniques for accessing lighter and darker emotions, using sensory triggers like music, scents, and objects.

The Shape of Your Memoir

We explore the concept of narrative shape in memoir writing, and how structure organizes personal events into a meaningful narrative arc that engages readers. Concepts like Freytag's triangle help us visualize narrative shape, and of course there are as many alternatives as will work for individual authors: your narrative might resemble a trapezoid, a funnel, a wave, or a spiral. What’s critical is finding the natural shape of your memoir and using it with a complete understanding of what it is doing for your memoir – even unconventional shapes require intentionality to guide readers effectively.

We look at how to get personal essays published, covering both submitting completed manuscripts and pitching essay ideas to publications. We’ll walk through the decision-making process of when to write first versus when to pitch first, before looking at the anatomy of an effective pitch. Check the Additional Resources section below for real-world examples of successful pitches!

We’ll break down a successful nonfiction book proposal, covering each component from the overview and chapter outline to marketing, platform development, and sample chapters. The book proposal is meant to convince agents and publishers of your book's commercial viability, give them practical guidance for identifying your audience, positioning your work in the marketplace – with the aid of your comp titles – and showing why you are uniquely qualified to write this book.

Building Your Author Platform (When You’d Rather Be Writing) is a practical, compassionate class for writers who want to share their work more widely without feeling like they’re selling out. Designed for those who’d much rather be immersed in the craft than crafting Instagram posts, this class offers sustainable, values-driven strategies for building visibility, connecting with readers, and establishing an authentic presence—all while protecting your creative time and energy.

Building a Writing Practice While Living with Limitations

How do you make writing a regular part of your life (and who does "regular" mean, anyway) when you're living with limitations? After taking part in this workshop, you'll know how to take a page from working artists like Laura Hillenbrand, bestselling author of Seabiscuit, who lives with ME/CFS, to figure out what a writing habit will look like for you.

Dream Hunting with Limitations

Dream Hunting with Limitations is a self-paced, five module course, where you'll be studying how to bring your dreams to life, implementing the techniques and skills in each lesson while creating a plan to move forward and toward your goals. You'll learn more about rethinking ambition, the emotions that come with living with limitations, imposter syndrome, and self-sabotage.

The Twelve Guest Lectures

  • Meghan O'Rourke is an award-winning writer, poet, and editor, best known for The Invisible Kingdom: Reimagining Chronic Illness and The Long Goodbye. 
  • Hanif Abdurraqib is a poet, essayist, and cultural critic known for A Little Devil in America and Go Ahead in the Rain: Notes to A Tribe Called Quest.
  • T Kira Madden is the author of the acclaimed memoir Long Live the Tribe of Fatherless Girls.
  • Eula Biss is an award-winning essayist and author of On Immunity, Notes from No Man’s Land, and Having and Being Had
  • Leslie Jamison is a bestselling author and essayist known for The Empathy Exams, The Recovering, and Make It Scream, Make It Burn
  • Suleika Jaouad is the bestselling author of Between Two Kingdoms, a memoir about illness, survival, and reclaiming life. 

Twelve writers. Twelve conversations about the creative life as it actually is. 

Each guest lecture was recorded specifically for Academy students. These are not polished presentations—they are honest conversations about process, limitation, publication, and persistence.

  • Stephanie Foo is a journalist, radio producer, and author of What My Bones Know, a groundbreaking memoir on trauma and healing.
  • Yahdon Israel is a Senior Editor at Simon & Schuster and founder of Literaryswag, a movement blending literature and fashion to make books accessible.
  • Soleil Ho is a journalist, cultural critic, and former restaurant critic for the San Francisco Chronicle.
  • Melissa Febos is an award-winning memoirist and essayist, best known for Girlhood, Abandon Me, and Body Work.
  • Carmen Maria Machado is the bestselling author of Her Body and Other Parties and In the Dream House, known for blending memoir, horror, and speculative fiction. 
  • Vauhini Vara is a journalist, editor, and author of The Immortal King Rao, a finalist for the Pulitzer Prize. 
  • Camonghne Felix is a poet, essayist, and cultural strategist, known for Build Yourself a Boat, a National Book Award nominee, and Dyscalculia: A Love Story of Epic Miscalculation. 

"I had the privilege of studying under one of my favorite and most inspired authors, Esmé Weijun Wang, during my time in The Unexpected Shape Academy. I highly recommend this program for any budding memoirists looking to develop their craft."

“In Esmé and the Academy I found the teachings, support and community which for years I had longed, but didn’t know how to access. In Esmé’s care and support I feel like a writer not only when I am able to be present and actively writing, but also when I must honor my body and tend to my health.”

— Alida Miranda-Wolff

“I wanted to send a heartfelt thank you—for your teaching, your feedback, and your generous encouragement over the course of my writing journey. Your guidance has meant so much to me, and I truly don’t think A Raven in the Storm would have taken on the forms [it has] without you.” 

From Academy Students

— Melanie Cole

—Kri Yamada

Consider what you have already spent trying to figure this out on your own.

The investment

The full Unexpected Shape curriculum represents years of development, testing, and iteration with writers who needed it to actually work. And if each class/lecture were at its regular price of $147, this package would be priced at $4116.

It is available for $197. Once. Before the Academy closes.

This is not a teaser price to create urgency. The Academy is genuinely closing. This page will come down. The curriculum will not be available again.

The writing you are carrying will not write itself. But it also will not write itself without the infrastructure it needs. This is that infrastructure. It is available once. Then the door closes.

“I appreciate what you do more than you can imagine - your approach and your practical tools have helped thaw my Long Covid frozen brain after five years of creative paralysis, and I am forever grateful to be actually writing and enjoying it again (and I love my BrainFrog stickers!)” 

"This course opened my eyes to limitations I didn't even realize I had. The mind mapping exercises brought back memories of college and helped me reconnect with what I truly want and need.

This experience has been transformative in helping me understand and work with my needs rather than pushing through them."

—Stacy Cooper

— Jay N.

About Esmé Weijun Wang

I am the author of The Collected Schizophrenias and The Border of Paradise, and I have been writing with serious limitation for most of my adult life. Schizoaffective disorder and late-stage Lyme disease are not the backdrop to my writing life—they are part of the conditions under which my writing life happens.

The Unexpected Shape Writing Academy grew out of a simple observation: the methods being taught to writers were not designed for writers like me. So I developed methods that were. I tested them on myself and with hundreds of students. I refined them until they worked not under ideal conditions, but under real ones.

That is what is for sale here. Not inspiration. Not aspiration. A set of methods that work when your body, your schedule, and your life are working against you.

I am proud of what we built. I am glad I can offer it one last time before it closes.

- You write in fragments because your life requires it
- You have chronic illness, disability, or neurodivergence that affects your writing practice
- You are a caregiver, a parent, or someone whose time is not your own
- You lose the thread between writing sessions and need a way back in
- You are working on nonfiction and drowning in research you can't organize
- You have started and abandoned the same project more than once
- You need method, not motivation
- You want your writing practice to survive the hard stretches, not require them to end first

This is for you, or it is not.
Let me be clear about which.

This is for you if:

is this for you

This is not for you if:

- You write in fragments because your life requires it
- You have chronic illness, disability, or neurodivergence that affects your writing practice
- You are a caregiver, a parent, or someone whose time is not your own
- You lose the thread between writing sessions and need a way back in
- You are working on nonfiction and drowning in research you can't organize
- You have started and abandoned the same project more than once
- You need method, not motivation
- You want your writing practice to survive the hard stretches, not require them to end first

Questions

How long do I have access?

Lifetime. Once you purchase, the materials are yours permanently. Download everything immediately after purchase—this is your guarantee that the closing of the Academy does not affect your access.

Will there ever be another sale or opportunity to purchase?

No. The Academy is closing entirely. This is the final offering of this curriculum in any form. When this page comes down, it is done.

I have chronic illness and a variable schedule. Will I actually be able to engage with this?

This curriculum was specifically designed for that reality. All materials are self-paced with no deadlines. The methods themselves are built for fragmented engagement—you do not need to complete them in a single sitting or even a single month. They will wait for you.

I only write fiction. Is this relevant to me?

The Cell Method, Building a Writing Habit While Living with Limitations, and Writing Through Brain Fog are directly applicable to fiction writing. The Indexing class and Sustainable Submission Practice are primarily designed for nonfiction. You will find value here if you write fiction, but the deepest application is in nonfiction and memoir.

What if I've already taken one of the individual courses?

If you already own one or more of the individual courses, please reach out before purchasing—I want to make sure this is still the right investment for you and will help you navigate what makes sense.

Your writing is still there. It has been waiting.

ONE LAST TIME. SALE ENDS JUNE 15

You have been carrying work that deserves infrastructure. You have been working with methods that were not built for you, in conditions that were not accounted for, trying to sustain a practice that keeps breaking under the weight of what your life actually demands.

There is another way to do this. I know because I live it, and because hundreds of students have learned it.

The Unexpected Shape Writing Academy is closing. Everything we built together—the complete curriculum, all twelve guest lectures, the full workbook library—is available for the final time at $197.

The door closes when this page comes down. That is not a sales tactic. It is simply what is true.

You have been carrying work that deserves infrastructure. You have been working with methods that were not built for you, in conditions that were not accounted for, trying to sustain a practice that keeps breaking under the weight of what your life actually demands.

IMPORTANT NOTE
By purchasing this Academy in this package, you are agreeing to not share any of the materials with anyone else or use the materials for your own teaching. These were created with a lot of blood, sweat, and tears, and I ask that you please respect that by only keeping these to yourself. Should someone you know wish to purchase this, feel free to point them this way. Thank you for your understanding. ❤️

"It's been wonderful taking part so far — it's amazing how quickly things have been feeling easier and so much more well supported. The Academy has made such a difference in my journey."

— Lauren Piko