The Anxiety of Near-Triumph

To be honest, my symptoms have much improved. The intermittent psychosis is completely gone. The depression is also gone. Right now, all that’s left is free-floating anxiety that wallops at random intervals. I have no way of explaining it. You can ask what the stressor is and I can say, It’s because I’m almost finished with my novel, or, It’s because I’m not at home, or I can say, It’s because I am at home, or I can say, It’s because something big is happening in the next few weeks, which I still can’t talk about — sorry –

– it never quite makes sense.

The increase in my SSRI is supposed to take 4-6 weeks to take full effect. Increases in SSRIs for bipolars are dangerous due to their anti-depressant and therefore mania-inducing qualities, but I do have the depression/anxiety combination far more often than mania, which last appeared eight or nine years ago in its fullest form. Am I boring you? Perhaps. Anxiety is on my mind these days despite being near the ocean, which is my calmest place.

I take nine pills at night and four pills in the morning.

TRIUMPH still rings in my head, TRIUMPH, TRIUMPH, THIS YEAR IS YOUR YEAR. The book is set aside for now; I’ve been working on a piece that should be going up on Jezebel soon, and I’ll let you know when that happens. If you’re a Twitter user and don’t follow me there, please do (@esmewang). I update frequently.

And I leave you with this:

“Swells, Marina? we ocean, depths, Marina? we sky!”
― Rainer Maria Rilke

Sunday Pictures: The Pacific

On Readiness and Nightmares

I had what H called an extremely “literal” dream last night, which was that my book had come out, and I was reading a number of reviews in various places. All of the reviews said basically the same thing — Delusions was audacious and ambitious, but ultimately flawed and demonstrated a lack of readiness to be published. I do not need an analyst to tell me what my not-so-secret fears are.

While I’m waiting for my second round of readers to go over the book (one being Miriam, and the other a friend and editor at a publishing house), I’m working on something that feels like a second novel. I decided a few months ago that I wanted the second novel to be about marriage. This, of course, after being married for about 2.5 years — of course, I’m an expert! But I’m enjoying it so far. It’s nice to not be writing in first-person. It’s nice to meet new people, to learn a new place, to get into the rhythm of new words. I like it.

For the last few days, it poured and poured here. Miriam said, after waking up (briefly) at 7 this morning, that it felt like we were about to see a dove arrive with a branch in its beak. Blue skies, sun up. I thought the rain would never end, she said.

Will my book be ready soon? I think it will be. In the meantime, other bits and bobs of good news are on the horizon, waiting to be shared here — though not quite yet. I can hear the ocean. It is a good day.

How to Make a Timeline for Your Novel (If You Have an iPad)

It is unlike me to write How To posts on The Diarist — in fact, I at times unrelentingly mock blogs that seem to think that the How To list is the be-all and end-all of blogging. But in revising Delusions, I found that making a timeline was something that I really needed to do, and because I would have liked to know how to do it before I started scribbling all over the back of an old painkiller prescription sheet, to no avail, I will share it with you.

When I wrote the first draft of Delusions, I did the timing, seasons, and ages mainly by instinct. I figured that so-and-so was roughly this age in 1956, but, for example, I would have no idea when so-and-so else died. I wrote a lot of snowy scenes because I like to write about snow. When working on the second draft, I realized that it couldn’t possibly be snowing at certain times — for example, in the beginning of the first semester of David’s first year of high school, etcetera.

So I poked around for an app that could help me, and found on my iPad a tool called LifeTrack. It has ads, but is free, so I was willing to deal with that for the sake of being able to figure out when and what was happening in my book, and also how old everyone was at any given time. (You can’t go by years; you have to know if the event is happening before or after someone’s birthday. I hadn’t really thought about that before.)

If you don’t have an iPad, I recommend searching for other timeline applications. LifeTrack really simplified the reworking of the nitty-gritty details of my book. And I threw away the horrible, disorganized paper timeline I’d had before.

A Visiting Scholar at Camp No Activities

We had this fellow come visit us after we lit the fire pit. Unafraid, implacable, he stared at us for a few long moments before munching on plants. I read Blindness (my first Saramago, recommended by H) while I sat by the fire, and a few pages in, Miriam and I heard the trampling of dried grass and sticks as he wandered back into the wilds.

I feel close to the end of the book now; the second draft is finished, for now, and I’ll be spending the second half of CNA fixing technical issues with the book. (I spent a few days struggling with titles. I think I came up with at least twenty titles; it’s called Delusions now.) Yesterday I made a timeline of the book’s major events — over thirty years’ time — with the dates, seasons, and ages of the characters kept under consideration; I didn’t do that before I started putting the book together, which I’m hoping will not lead to dire consequences when I go back over the 400-ish pages. I hope there is not too much moaning and groaning.

But I see the finish line, and I know what people to send the manuscript to when it’s Go Time, and I feel good about 2012. The last few times I’ve read over the book, I’m filled with joy. And pride. Let’s go, let’s go.

Camp No Activities, Cont.

Warm

 

Camp No Activities

Just a little reminder that I’m at Camp No Activities for the next two weeks and will be diligently working on (hopefully) wrapping up this second draft of Lamentations, which means that I will likely be updating with more photographs than words.

Be well, beloveds.

Gratitude

I know I’m feeling better. The medication adjustments are working. I don’t wake up thinking, Why am I waking up, and I don’t spend hours confused and scared and referring to Chris as “this nice [stranger].” But the way I really know is that today I woke up at 4:30 AM, went to the kitchen, made a scramble (mustard greens, eggs, soft cheese, ground turkey), put a French press of coffee on, ate my half of the scramble, plated and covered Chris’ half, washed up, got dressed, and came to the couch to write a blog post. And it’s 5:37 AM. I went to bed at around 10:30 last night, unable to finish ten pages of Augie March, and dreamed about my book, which I’m doing a lot of lately.

It’s time to wake up, wake up, wake up, says my brain.

And I have so much gratitude for this series of days, during which I have smiled and laughed, and people tell me that I seem much lighter and less weighed down. I am thankful for my supervisors and bosses at work, who have been so understanding. I am thankful for my friends, who buoyed me. Of course, I am thankful for Chris and his incredible patience and gentleness, and his willingness to learn how to better care for me when I’m ailing — he has learned so much in the past few months, I think, even though we’ve been together for over a decade.

He is up now, and we are on the sofa. He is eating his scramble, and we’re drinking our coffee, and right now, I am suffused with the light of a winter slowly stitching itself into spring.

Esmu

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It’s the dead of winter, but I found these leaves carefully piled atop a compost container in front of an oft-frequented coffee shop, vibrant as can be, and today the weather is sunny and crisp in the way that San Francisco winters can be warmer than San Francisco summers.

In this reprieve (remission?) of illness I’ve been looking forward to the two-week writing retreat that Miriam and I will be embarking upon, starting this coming Friday — two small cabins at the rocky, grey shore — one cabin for working and one for living, but perfect for each to be writing in our own private spaces. My second revision is now down to the book’s last chapter, which I know will be dramatic and propulsive and hopefully will make me cry, and I’m waiting to be there, in that space, to do it. I give myself two weeks to write and edit that chapter. Then I’ll come home, do one more quick pass, and send a copy to Miriam in Boston so that I can make a solid third pass. Will it be the final pass? Second to last? Not sure.

There is some news on my end of things, but it’s hush-hush for now. I’ll be able to tell you in February.

A deep and sincere thank you to everyone who commented on the most recent post.